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Dear Dean Stepniak and Faculty Evaluation Committee members,
I am grateful for the chance to submit this application for promotion. As the attached CV and sections of the portfolio illuminate, I believe I have not only met but exceeded expectations in teaching, scholarship, and service as defined in the faculty handbook related to promotion to Associate Professor. Because the area of my teaching and scholarship, industry-based sound engineering and music recording software and hardware, may be unfamiliar to other academics within the University, I include below a brief synopsis clarifying the significance of my teaching and scholarly work.
As a teacher, I have been fortunate to consistently receive positive feedback from my students and colleagues to my instruction and contribution to the MPRT curriculum. It has been my pleasure to work with so many gifted and talented students directly and to see the work they have gone on to do with a sense of satisfaction in a career in audio. Beyond being invested in the training of my students as future recording professionals, I have been fortunate to have my teaching recognized through repeated teaching invitations from the recording industry’s leading organizations focused on sound engineering. Specifically, international organizations such as Avid, Apple, and Steinberg have repeatedly approved me to serve as a master teacher in digital audio workstations, as well as a presenter of master classes and training in Avid’s Pro Tools, Sibelius, Apple’s Logic Pro, and Steinberg’s Cubase/Nuendo among others.
Beyond teaching, it has been my privilege to play an increasingly important role in the development of my discipline and related knowledge. My creative scholarship is most easily understood as falling into two larger categories: my role as a sound engineer who has worked with major record labels and multiple major artists on their musical releases (e.g. posthumous release of a Marvin Gaye album), and as an author and presenter within the sound engineering field, presenting at leading international conferences on multiple occasions. Although my CV only highlights scholarship at a national and international level, I have also been grateful to present at regional events organized by my profession. The net result of my involvement in this area of scholarship has been the receipt of ongoing invitations to present at major conferences and to work on significant recording projects. In addition to my scholarly contributions, I am also pleased to have been included on the national list of “15 Outstanding Professors Every Audio Enthusiast Should Know” as listed on an influential website devoted to music recording. At an international audio conference following this publication, multiple respected peers offered congratulations for being so considered.
Within the area of service, I have been grateful for the chance to be of central support, not only to my academic program and school, but also to the university through service on multiple committees, and to the broader community through my involvement in many social and professional projects.
I thank you in advance for reviewing my ePortfolio and for your consideration of this application. I hope that you will see a clear demonstration of forward-thinking and excellence in teaching, scholarship, and service during my years as an Assistant Professor at Shenandoah University.
Sincerely,
Adam Olson
Assistant Professor of Music Production and Recording Technology
Shenandoah University
Shenandoah Conservatory
x7285 (on campus)
540-686-1232
aolson@su.edu
I am grateful for the chance to submit this application for promotion. As the attached CV and sections of the portfolio illuminate, I believe I have not only met but exceeded expectations in teaching, scholarship, and service as defined in the faculty handbook related to promotion to Associate Professor. Because the area of my teaching and scholarship, industry-based sound engineering and music recording software and hardware, may be unfamiliar to other academics within the University, I include below a brief synopsis clarifying the significance of my teaching and scholarly work.
As a teacher, I have been fortunate to consistently receive positive feedback from my students and colleagues to my instruction and contribution to the MPRT curriculum. It has been my pleasure to work with so many gifted and talented students directly and to see the work they have gone on to do with a sense of satisfaction in a career in audio. Beyond being invested in the training of my students as future recording professionals, I have been fortunate to have my teaching recognized through repeated teaching invitations from the recording industry’s leading organizations focused on sound engineering. Specifically, international organizations such as Avid, Apple, and Steinberg have repeatedly approved me to serve as a master teacher in digital audio workstations, as well as a presenter of master classes and training in Avid’s Pro Tools, Sibelius, Apple’s Logic Pro, and Steinberg’s Cubase/Nuendo among others.
Beyond teaching, it has been my privilege to play an increasingly important role in the development of my discipline and related knowledge. My creative scholarship is most easily understood as falling into two larger categories: my role as a sound engineer who has worked with major record labels and multiple major artists on their musical releases (e.g. posthumous release of a Marvin Gaye album), and as an author and presenter within the sound engineering field, presenting at leading international conferences on multiple occasions. Although my CV only highlights scholarship at a national and international level, I have also been grateful to present at regional events organized by my profession. The net result of my involvement in this area of scholarship has been the receipt of ongoing invitations to present at major conferences and to work on significant recording projects. In addition to my scholarly contributions, I am also pleased to have been included on the national list of “15 Outstanding Professors Every Audio Enthusiast Should Know” as listed on an influential website devoted to music recording. At an international audio conference following this publication, multiple respected peers offered congratulations for being so considered.
Within the area of service, I have been grateful for the chance to be of central support, not only to my academic program and school, but also to the university through service on multiple committees, and to the broader community through my involvement in many social and professional projects.
I thank you in advance for reviewing my ePortfolio and for your consideration of this application. I hope that you will see a clear demonstration of forward-thinking and excellence in teaching, scholarship, and service during my years as an Assistant Professor at Shenandoah University.
Sincerely,
Adam Olson
Assistant Professor of Music Production and Recording Technology
Shenandoah University
Shenandoah Conservatory
x7285 (on campus)
540-686-1232
aolson@su.edu